One of the most common thing I hear my friends say: "I'm just waiting for somebody to figure out that I have no idea what I'm doing."
I mean, we can all relate to that, right? Especially writers and poets. We struggle to make ourselves heard, we seek legitimacy in fields that are often not recognized for their importance or ingenuity because the quantifiable components that can yield a good piece of art or writing are constantly shifting and always debatable. You can't nail down a rubric to excellence; you have to be able to recognize the fundamentals but see how they create new and different things. And then sometimes the old standard is new again or at least it's a nice break from experimental work. We feel like frauds for so many reasons.
So why do we continue? Why do I continue? I ask myself this all of the time. All of the time. You probably do, too. I've written poetry and stories since I can remember writing. When I was a kid, I would write short stories and roll them up and put them in a little toy metal safe. When I was a teenager, I wrote on a hand-me-down IBM computer that consistently lost my data. I have more notebooks and sketchbooks then cookbooks. It's a compulsion. I don't have an answer. I justify art, writing, music with a lot of high art BS, but when it comes down to it, I do it because I like it. I read it or listen to it because it brings me joy. People don't write because they'll make money; too few of us end up paying the bills with our words.
So, are you a real writer? Do you write?
Then yes. You are a real writer.
Pursue your passion and fuck the rest.
Monday, December 28, 2015
Thoughts on a rainy Monday
There are many invisible paths of writers. When we're not writing, we're cultivating the earth; building experience, emotion, language. When we're not writing or editing, we're thinking, reading, exploring. When I'm not writing, I'm in hibernation, in the fat of winter thoughts.
Today, I read on P&W:
I've been thinking a lot about how and why I published my first chapbook through Amazon and how I feel about having only an electric copy available. With prose, the electronic format is fairly satisfying, but I don't think I care for it as a format for poetry. It is too cold. I think the tactile nature of books is an integral part of the experience. Am I being too stodgy? Perhaps. This is an emotional reaction, not a logical one- but what's more pertinent to poetry than emotion besides craft?
Today, I read on P&W:
Meanwhile, after nearly a decade of decreasing print books sales in the United States, it appears that print may be making a comeback. A recent report from Nielsen BookScan reveals that sales of physical books in the United States have increased from 559 million in 2014 to 571 million in 2015. (Quartz)That's so exciting! Books are rad. People are finding their way back to the printed (or e-printed?) page. Totally rocks my Monday socks, which were feeling a little boggy-soggy.
I've been thinking a lot about how and why I published my first chapbook through Amazon and how I feel about having only an electric copy available. With prose, the electronic format is fairly satisfying, but I don't think I care for it as a format for poetry. It is too cold. I think the tactile nature of books is an integral part of the experience. Am I being too stodgy? Perhaps. This is an emotional reaction, not a logical one- but what's more pertinent to poetry than emotion besides craft?
I had a dream of you
I had a dream of you
The way you were
when we were
when we were
Sometimes I still
find the remnants
Movie tickets
tucked in my clutch
tucked in my clutch
Stray sketches of
your sad eyes
your sad eyes
Lost in notebooks
Wrinkled by coffee rings
The way we were
When you were
a fish beneath
the Winter mirror
the Winter mirror
Subscribe to:
Posts (Atom)